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      <image:title>VERNACULAR - “…using space, pitch-bending, and contrasts in dynamics, tempo, and texture to induce entrancement.”</image:title>
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      <image:title>VERNACULAR - “…using space, pitch-bending, and contrasts in dynamics, tempo, and texture to induce entrancement.”</image:title>
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      <image:caption>“Thorsteinsdóttir was riveting in the Ligeti Concerto” - New York Times</image:caption>
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      <image:caption>Burning Ambulance</image:caption>
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      <image:caption>Classical Classroom</image:caption>
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      <image:caption>The year 2020 marked 300 years since J.S. Bach wrote the staple of the cello repertoire, the 6 Suites for solo cello. Sæunn celebtrated these masterpieces by performing them all in one day on the Summer Solstice, June 20th, in churches around the Westfjords in Iceland and subsequently recording them in the Sono Luminus studio in Virginia.</image:caption>
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      <image:caption>In a series of 4 concerts in the 2022-2023 season, Sæunn showcases the cello’s breadth of expression, including the World Premiere of Veronique Vaka’s “Gemæltan” with Music Director, Eva Ollikainen.</image:caption>
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      <image:caption>“THE SOLO CELLO, EXCELLENTLY PLAYED BY SÆUNN THORSTEINSDÓTTIR, CREAKS AND MOANS. BUT THE MOST EFFECTIVE MUSICAL QUAKING FEELS INTERIOR, EVOKING THE QUAKING YOU FEEL IN THOSE FIRST SECONDS WHEN AN EARTHQUAKE BEGINS, WHEN YOU FIRST SENSE THE EARTH MAY BE MOVING BUT HAVE NO IDEA YET HOW MUCH.” - LA Times</image:caption>
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      <image:caption>“…USING SPACE, PITCH-BENDING, AND CONTRASTS IN DYNAMICS, TEMPO, AND TEXTURE TO INDUCE ENTRANCEMENT.” Textura.org</image:caption>
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      <image:caption>PREMIERED IN REYKJAVÍK WITH THE ICELAND SYMPHONY, SEPTEMBER 2019</image:caption>
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      <image:caption>MASTERWORKS OF THE SOLO CELLO REPERTOIRE</image:caption>
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      <image:title>Media - Bow to String by Daníel Bjarnason</image:title>
      <image:caption>“SÆUNN DUG INTO THE SOLO CELLO PART WITH GREAT FERVOR AND RECEIVED THE LOUDEST APPLAUSE OF THE EVENING.“ Allisyar.com</image:caption>
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